Tipo: Libro impreso / Print book
Encuadernación / Binding: Rustica
Tamaño / Size: 19 x 22 cm
Páginas / Pages: 342
Resumen / Summary:
Autor / Author: Gina McDaniel Tarver
Editorial / Publisher: Universidad de los Andes
Entrega / Delivery : Nacional / International
Envio desde / Ships from: Colombia
Condición / Condition: Nuevo / New
Tabla de contenido / Table of contents:
List Of Figures
Acknowledgements
Introduction
Intrepid Iconoclasts
Coming to Terms with Similarities and Differences
Ambitious Institutions and Their Strategies for Development
Tacties from "Underdevelopment"
Partieipation as a Sign of the Time
Shaping a History
Chapter. I. Art for a new reality
Junk Art
Mina Traba and the Modern Art Museum of Bogotá
Re-recreating Art
The Sajan of Young Artists
Male Junk
Artistic Suicide
A Venerable Institution in Changing limes
Competitions and Controversies
A Failed Monument and a "Violent Declaration"
Historical Transgressions
.
Chapter 2. The art of expansion
Creating Hysteria
A Biennial for Colombia
Space Invaders
An Art of Environments
Light. Sound. Movement
Minimachines
The Basic Elements of Art
Art Criticism and Art-pia
Closures
Chapter 3. New iconoclasm and international exhlbitions
The Pile that Became a Mountain
II Coltejer Art Biennial
An International Graphic Arts Exhibition
Salcedo and the Center of Art and Communication
The Graphic Arts Biennial
III Coltejer Art Biennial
Systems Art at the Biennial and Beyond
Other Biennials and Obstacles
The Limits of Internationalism
Chapter 4. Text-image works and critical messages
The Puddle that Became a Flood
A Punitive Exhibition
What the Eye Doesn't See
A list of Charges
Salon Showdown: The National vs. The Independent
The Art of Critical Recuperation
Bite of the Paper Tigers
Where There's Smoke, There's Marlboro
Dide the Galleries
0uIside the Box
Sweet Nothings
Ambivalence
Conclusion
A new norm?
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